In the photo studio, you can see your friends’ faces.
But in real life, you often need to tell them apart.
This is why many photographers use a camera reflexive technique that can help them identify faces and objects in wedding photos.
“The camera reflexivity is not really about getting rid of the camera, but getting rid, in essence, of the eye,” said Roberta Rueda, a wedding photographer who has been photographing weddings for more than 20 years.
It’s not just the lens.
You have to also use your mind.
You need to be able to ask yourself what is it that is different about each person?
“It’s about the way they act and the way you are in the moment,” she said.
This technique has worked for Ruedas.
She’s been able to identify her friends in many of her wedding photos, even if they aren’t the faces of the bride or groom.
There are many ways to look at this technique, but one that works for most is to imagine yourself in the same place as the photographer.
And then, you might ask yourself, “What would I do differently if I were there?”
Ruedes, who is married and has three kids, said this technique works for everyone.
When I first started, I used to look for the most interesting people, the people I felt comfortable with, the things I felt like would work.
But after years, I’ve noticed that sometimes, it can be more fun to take pictures of the people that are really interesting and different.
I can see myself in the camera.
I’m also trying to figure out what’s going on with my husband, and I can tell you that it’s not all bad.
He loves it, he enjoys it, and he’s very grateful for it.
And I think that if he is in the mood for a photo session, that’s the perfect time to do it.
You can do it yourself, too, and Ruedans approach is more of a practical one.
The best way to use a reflexive approach is to take a couple of photos of people at different times in the day.
If you’re doing a wedding, you have to make sure the light is right, and you can’t use too much light.
And there are also different ways to take your photos.
For example, you could take a snapshot of your friends and yourself in different positions.
But if you want to get more personal, try taking a shot of your best friend’s face or someone else’s.
Ruedras friends are always smiling, so it’s easy to do a quick photo.
Sometimes you want the whole room to look like the wedding, and then you might be able get a shot with a few people in the middle of the room.
You might also want to take photos of a person in the wedding venue, and maybe even the reception.
But you might want to do more with your camera reflexively.
Ruedas first photo, for example, shows her and her friends standing next to a table full of flowers, candles, and other decor.
Here’s what the photographer sees when she turns on the camera: “A couple of friends are standing next.
A couple are on the ground, their faces are just looking up at the camera.”
The photo is taken with a camera that’s mounted on a tripod, which Ruedases husband uses.
He’s sitting next to her, and her hair is tied up in a bun.
But Rued is careful not to use too many light sources in the photo.
If she wanted to take it at night, she might need to get away from the light and make a photo with a tripod.
If you’re shooting a wedding with the light on, Rueds husband could stand at the far side of the table and capture the shot with his phone.
Instead, she decided to get a couple shots of herself standing at the front of the restaurant, where she and her husband have been sitting for hours.
On the left is a different version of the same photo that Rued has taken with the same camera.
This photo is an example of the “close-up” technique.
The closer you are to the subject, the closer you can get to them.
This makes the shot look like a close-up.
Ruledas husband is standing in the doorway of the dining room, so he’s not able to get in close.
After the photo, she’ll probably think about the best photo to take.
It depends on the person and the lighting.
“If the lighting is good, it will probably be a close up,” she explained.
“Otherwise, you’ll probably be able do a more intimate shot.”
If the light was too dim, she could choose between two photos of her sitting on a chair with her hands on her knees